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R Category Fonts

 Rigrok

Rigrok is a 14 style semi serif designed by Stew Deane. The design of the typeface was intended to create a premium feel that is suitable for the widest range of tasks, while still maintaining a unique sense of character. Stew designed Rigrok to draw on his graphic design experience to create a typeface that is suitable for many a design or branding job. The result is an easy to use, versatile typeface that charms with personality and character.

 RF Dewi

Dewi is a modern neo-grotesque multi-typeface family with closed forms. It includes 4 versions: condensed, normal, extended, expanded. In each version there are 16 font styles: 8 regulars and 8 italics (64 styles in total). The family contains weights from thin to black. Everything is ready to solve absolutely any graphic tasks.

Dewi helps to create a unique and vibrant design consonant with the spirit of our days. Сontours remains neutral in a small size but when you work with large sizes Dewi shows his strong and confident character. Ideally suited for web design, logos and branding, navigation, printing, advertising and packaging, infographic, poster design, music covers and so many more. This typeface will be a real workhorse for you.

 Rocket Clouds

Introducing our new font called Rocket Clouds inspired by Sythwave Style, 80’s Music, and Neon Light Sign. This font offer the aesthetic style and retro mood for your design needed.

The Rocket Clouds style has a universal and timeless design. This font uses style of classic sign typography. Rocket Clouds immediately engages you no matter what you use it for. It’s beautiful for product labels, houseware and text overlay to any background picture.

 Rion

Rion is a high-contrast ‘modern’, or Didone-style font family, with a calligraphic flourish. It is intended for typesetting headlines in editorial design settings, as well as signage, the larger texts in exhibition graphics, or any other place where you need big, elegant-looking type. Rion takes inspiration both from straight-axis nineteenth century typefaces and pointed-pen calligraphy. Its letterforms contain a high degree of stroke-contrast; this gives them a look of sophistication. The family includes six weights, ranging in style from Light through Black. Each weight has both an upright font and an italic on offer. The fonts’ default numerals are proportionally-spaced oldstyle figures. Lining figures are also available, via an OpenType feature. Rion’s characters are all a bit condensed; this narrow feeling is especially present in the fonts’ uppercase letters. The ascenders of the lowercase letters rise slightly above the tops of the capitals. In the upright fonts, the ‘a’ and the ‘g’ are double-storied. In the italics, they are single-storied. Each font includes small caps, and 13 f-ligatures, too. Special characters in the fonts – such as the hashtag and the @-symbol, as well several punctuation marks and mathematical glyphs – are drawn with thin, monolinear hairline strokes, allowing them to disappear into the background somewhat, and let the real alphabetic characters shine more prominently. Rion is the work of Barbara Bigosinska, a Polish type designer living in the Netherlands, who is a graduate of the MA Type & Media programme at the Royal Academy of Art (KABK) in The Hague.

 Rita

The publication of this more mature design is the result of a previous 1-style project which was developed in 2010. Rita, the new design, has increased from one single style to a full font family, with a strong personality, ideal for short text for high impact designs.

Rita is a slab serif typeface that offers a wide range of weights and widths—from a thin, ultra condensed font to a heavy variant for poster design.

Its variety of weights and widths allows users to create a number of different compositions such as titles and text for impact or high impact graphics.

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