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V Category Fonts

font family from Manuel Ramos, added in 2012

Vernissage

The Vernissage font was created with the intention of offering a versatile typographic font, dynamic and strong, easy to read in all sizes, providing a high range of uses, and elegant. A typeface that you cannot miss.

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font family from Celebrity Fontz, added in 2012

Victorian Ornamentals™

Victorian Ornamentals is a digital revival of a lovely Victorian letterset containing initials adorned with flourishes from a vintage embroidery typeface. It is a highly ornate and delicate typestyle with an air of elegance, romance, and flair. This font contains uppercase letters, smallcap letters. and numerals in the Victorian Ornamentals typeface and, for convenience, includes punctuation in a standardized font style. Accented characters are also included. This digital format allows colorizing of type and is a perfect font for publications that want to capture the feel of the Victorian era and the delicate nature of embroidered lettering.

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font family from Hanoded, added in 2012

Vox Populi

Vox Populi was modeled after an early 17th century Latin translation of a Greek epos. It is a cursive typeface with a rough edge to it - not unlike the rather decayed original. Vox comes with a whole bunch of alternates and ligatures for that ‘ancient parchment look’.

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font family from Yellow Design Studio, added in 2012

Verb

Verb from Yellow Design Studio is an 18-font sans-serif family that’s friendly and approachable, but trades huggable roundness for confidence and energy. Verb is lively, motivated and industrious but not too busy to say “hello”. It’s packed with features including true italics, small caps, ligatures, oldstyle and tabular numerals, extensive language support, and more. Verb Black is available for free!

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font family from Dalton Maag, added in 2012

Verveine

There is something delightfully brisk about Verveine. It has a familiar energy, like that of a shopping list quickly jotted down, but despite this vitality, the design of Verveine is carefully considered and meets rigorous standards. Verveine is intended to be used at larger sizes – as a title in a book, or in packaging. It is most effective in short bursts – a few words, a tag line – to allow Verveine to support the message with its own expression.

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font family from Dalton Maag, added in 2012

Verveine Corp

There is something delightfully brisk about Verveine. It has a familiar energy, like that of a shopping list quickly jotted down, but despite this vitality, the design of Verveine is considered and meets rigorous standards. Verveine is intended to be used at larger sizes – as a title in a book, or in packaging. It is most effective in short bursts – a few words, a tag line – to allow Verveine to support the message with its own expression.

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font family from Dalton Maag, added in 2012

Viato Corp

Functionality is the key factor when choosing a typeface for corporate use, and the Viato font family delivers functionality on several fronts. It has exceptional legibility at text sizes but is recognizable and distinctive when used big and bold. Corporate communications universally aim to attract customers to a business. With this in mind, Viato’s design is warm, friendly and inviting thanks to the open proportions and character structures.

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font family from Dalton Maag, added in 2012

Viato

Functionality is the key factor when choosing a typeface for corporate use, and the Viato font family delivers functionality on several fronts. It has exceptional legibility at text sizes but is recognizable and distinctive when used big and bold. Corporate communications universally aim to attract customers to a business. With this in mind, Viato’s design is warm, friendly and inviting thanks to the open proportions and character structures. Tapering terminals and some unusual character treatments ensure that the Viato font family has a unique appearance that is instantly recognizable.

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font family from VirtueCreative, added in 2012

Virtus Sans

This clean sans-serif typeface brings your designs and layouts together in one great looking typeface, uncomplicated and legible large or small. VIRTUS SANS has 4 weights each with italics.

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font family from Blank Is The New Black, added in 2012

Volterra™

In today’s typographic landscape, few would still consider Bodoni to have a “modern” feel, but there was once a time when it’s vertical axis and thinned horizontal strokes were considered radical. Volterra—inspired by the forms of Bodoni—finishes what Bodoni started and eliminates the horizontal stroke altogether, breathing an elegant new energy into a 200-year-old classic.

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